NICK TAYLOR
Nick Taylor has been working in various London studios for the last decade, residing at Air-Edel as in house Engineer since 2004. Arriving in London in 1998, from Bristol, he worked part time as a composer for TV adverts and shorts. During this time he was offered work assisting at a small studio in London Bridge. He then went on to work at Wessex studios, in Highbury and from there as a freelancer at the Strongroom and the Roundhouse. His client list is varied, reflecting work within Film Scores, Rock and Pop.
Recent sessions include recording and mixing the scores for the new Working Title film 'Hippie Hippie Shake', the Chris Smith thriller 'Triangle' and forthcoming Richard Linklater film 'Me and Orson Welles'; mixing the title track for the new series of 'Live From Abbey Road' in Abbey Road studio 2; recording and mixing with Simon Webbe and recording Strings, Brass and Rythmn section for the forthcoming Terry Pratchett Musical, 'Only You Can Save Mankind'.
Nick has recently been requested for sessions outside of Air-Edel, working on film and television scores at Olympic, Cream, Air Lyndhurst Hall and Abbey Road.
Clients/Composers/Bands worked with include:
Film Score:
- Christian Henson
- Dario Marianelli
- Patrick Doyle
- Jocelyn Pook
- Phillip Pope
- Paul Englishby
- Richard Wells
- Mike McEvoy
- Theo Green
- Leighton James House
- Henning Lohner
- Clive Carroll
- John Renburn
Rock/Pop:
- Girls Aloud
- Chamillionaire
- Kylie
- Billy Ocean
- Scott Walker (as assistant engineer)
- Judith Owen
- Rozalla
- Simon Webbe
- Gilbert O'Sullivan
- Ikara Colt
- Nick Cave (assistant engineer)
- The Darkness (assistant engineer)
- Elastica
- S Club